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	<title>Lethe</title>
	<link>https://lethe.nu</link>
	<description>Lethe</description>
	<pubDate>Thu, 15 Dec 2022 09:39:48 +0000</pubDate>
	<generator>https://lethe.nu</generator>
	<language>en</language>
	
		
	<item>
		<title>Menu Mobile</title>
				
		<link>https://lethe.nu/Menu-Mobile</link>

		<pubDate>Thu, 15 Dec 2022 09:39:48 +0000</pubDate>

		<dc:creator>Lethe</dc:creator>

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		<description>


	Project Overview




	










International Symposium on Forgetfulness, Stockholm University of the Arts, March 2-4, 2023


	The Piece: Played and Replayed

	Process
	Calendar
	Biographies
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	<item>
		<title>Lethe </title>
				
		<link>https://lethe.nu/Lethe</link>

		<pubDate>Tue, 29 Nov 2022 09:16:15 +0000</pubDate>

		<dc:creator>Lethe</dc:creator>

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		<description>

	Our three overarching research questions are:

• In what way does forgetfulness affect the artistic practice of a musician, and the
interplay within a musical ensemble, when it is used as a guiding method and principle?

• Will forgetfulness and the river Lethe enable us to become artistically reborn
by way of aiding us to forget our musical habits and traditional reasonings?

• What will we be willing to forget?The aim of the project is to investigate how forgetfulness
affects:

 (1) our skills, habits, and the possibility for us to become artistically
reborn as individual musicians; 
(2) our musical communication, experience of agency,
and our collective memory as a musical ensemble; 
(3) how we contextualise,
theorise, and reflect on the music that we create with forgetfulness as our artistic
method and guiding principle.


	There is a substantial amount of research done on the relationship between 
memory and music, but the possibility of approaching music by way of 
forgetfulness has not been researched prior to this project. Memory is an 
essential tool for all musicians, and it is particularly true for musicians who 
perform music that has no score, e.g., improvised music. With Lethe we want 
to investigate what artistic possibilities will become accessible to us if we use 
forgetfulness, the antithesis of memory, as our method for creating new music 
and to question our musical habits. In addition to the practice-based artistic
research that our project encompasses, we intend to – by way of embedding
ourselves in a discursive process – build knowledge based on theoretical inquiries
and our own essay writing, as well as to present arguments and reasonings to
help us and others to navigate the various streams of Lethe.

	We will weave together practice and reflection by way of continually recreating 
one and the same piece of improvised music from memory. Given that we 
consistently play the same piece of music over and over again over the course of 
three years, we can investigate forgetfulness as one of the main phenomena that 
changes the music as well as develops it. Once we have finished a performance of 
our continually recreated piece of music and it has been recorded, we, as the research
team, will not have access to the documentation of it. In this way, our memory, or lack 
thereof, will become implicit to the object of our research. The continually recreated 
piece of music will function as a journal for our research, our laboratory, and the
documentation of our process. We will, in conclusion of the project, present an
example of what forgetfulness as an artistic method and guiding principle can
result in artistically and musically.

	During the third year of the project, we will arrange and curate a symposium on the 
theme of forgetfulness at Stockholm University of the Arts, to which we will invite 
international artists and researchers. As our point of departure, we believe that 
forgetfulness is an important part of the artistic practice of a musician, and that memory, 
in certain cases, can obscure an artistic development. The Roman poet Virgil wrote in his epic poem Aeneid that it is only after we have had our memory erased by Lethe that we can
become reborn. What will we be willing to forget when we meet at the riverbanks
of Lethe and gaze at the waters that can wash away our previous musical lives?

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		<title>International Symposium on Forgetfulness </title>
				
		<link>https://lethe.nu/International-Symposium-on-Forgetfulness</link>

		<pubDate>Mon, 16 May 2022 07:23:02 +0000</pubDate>

		<dc:creator>Lethe</dc:creator>

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		<description>
	The research team is planning an international symposium on forgetfulness on March 2-4, 2023, at Stockholm University of the Arts, Department of Opera. Invited speakers are among others, Freya Bailes (Associate Professor in Music Psychology at University of Leeds), Christian Wolff (Composer), Marcia Cavalcante Schuback (Professor in Philosophy at Södertörn University), Rögnvaldur Ingthorsson (Associate Professor in Philosophy at Helsinki University), Katt Hernandez (PhD-candidate, Lund University), and Toby Kassell (Choreographer and Dancer). The research team will also perform their continually recreated piece of music and present their research thus far in the project. Moderator for the symposium is Annette Arlander. In addition to the lectures and workshops held by the invited speakers, the ensemble Songs from Haidari &#38;nbsp;(Anna Lindal, Eva Lindal, Mats Persson, and Nils Claesson), and Reading Music, Sappho - fragment (Henrik Olsson, Johan Arrias, Lisa Ullén, and Magnus William-Olsson) will perform.


	Register for the conference here ︎︎︎


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		<title>Calendar </title>
				
		<link>https://lethe.nu/Calendar-1</link>

		<pubDate>Fri, 18 Nov 2022 14:30:54 +0000</pubDate>

		<dc:creator>Lethe</dc:creator>

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		<description>Calendar:&#38;nbsp;

2022

16 November, internal research seminar Stockholm University of the Arts, together with Emma Wolukau-Wanambwa.


2023

17-20 January, Research Week Stockholm University of the Arts, public presentation of the project, together with Karl Dunér.


2-4 March, International Research Symposium on Forgetfulness at Opera Stockholm University of the Arts. Separate program shortly.



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		<title>bios</title>
				
		<link>https://lethe.nu/bios-1</link>

		<pubDate>Thu, 14 Oct 2021 12:27:31 +0000</pubDate>

		<dc:creator>Lethe</dc:creator>

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		<description>

	Andreas Hiroui Larsson is a Swedish
artist, musician, researcher, and writer. 



 Larsson conducts an interdisciplinary practice, within which he moves in-between the identities of the artist, the musician, and the writer. He is a member of several contemporary music ensembles, and he is the author of Essäer
om europeisk estetiks epistemologiska relativisering (2018), Education (2020), Shadowboxing (2022), 
Souvenir (2023), and works on music and site, ontology, and philosophy of mind.&#38;nbsp; 



Larsson is educated at
Akademie der bildenden Künste Wien, Conservatoire National Supérieur de Musique
et de Danse de Paris, the Royal College of Music in Stockholm, the Royal
Institute of Art in Stockholm, and Uppsala University.
	Johan Jutterström
2006 - 2010 Bachelor in Music: the Royal College of Music in Stockholm.

2008 - 2009 Exchange studies at Conservatoire National Supérieur de Musique et de Danse de Paris

2011 - 2013 Master in Fine Arts, Music: the Academy of Music and Drama in Gothenburg.
2015 - 2018 Artistic research education: the Norwegian Artistic Research Programme, University of Stavanger.
	Anna Lindal, with a background as Concertmaster and Professor, is a freelancing violinist primarily active within experimental and contemporary chamber music and free improvisation but also in baroque and classical repertoire. 
She is part of a number of different permanent ensembles like Lipparella, Makadam, Skogen, Fire! Orchestra, Violin
duo Bäver with Eva Lindal. She has collaborated with many composers and also runs several interdisciplinary collaborations with directors, choreographers, fine artists and authors.
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		<title>1st Performance</title>
				
		<link>https://lethe.nu/1st-Performance</link>

		<pubDate>Thu, 14 Oct 2021 12:35:38 +0000</pubDate>

		<dc:creator>Lethe</dc:creator>

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		<description>
︎︎︎Version 1︎︎︎</description>
		
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		<title>2nd Performance</title>
				
		<link>https://lethe.nu/2nd-Performance</link>

		<pubDate>Thu, 14 Oct 2021 11:30:12 +0000</pubDate>

		<dc:creator>Lethe</dc:creator>

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		<description>︎︎︎Version 2︎︎︎</description>
		
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		<title>3rd Performance</title>
				
		<link>https://lethe.nu/3rd-Performance</link>

		<pubDate>Thu, 28 Oct 2021 09:01:24 +0000</pubDate>

		<dc:creator>Lethe</dc:creator>

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︎︎︎Version 3︎︎︎</description>
		
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		<title>4th Performance</title>
				
		<link>https://lethe.nu/4th-Performance</link>

		<pubDate>Thu, 09 Dec 2021 19:18:46 +0000</pubDate>

		<dc:creator>Lethe</dc:creator>

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		<description>︎︎︎Version 4︎︎︎</description>
		
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		<title>Process</title>
				
		<link>https://lethe.nu/Process-1</link>

		<pubDate>Tue, 29 Nov 2022 13:56:49 +0000</pubDate>

		<dc:creator>Lethe</dc:creator>

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		<description>





















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